I don’t remember seeing as many snowy white egrets in our area as I was growing up. While they are now quite common, I am always struck by their elegant movement.
Arriving Egret
6″ x 8″ oil on linen panel
6″ x 8″ oil on linen panel
I don’t remember seeing as many snowy white egrets in our area as I was growing up. While they are now quite common, I am always struck by their elegant movement.
11″ x 14″ (sold)
I painted this from the Bird Island Trail in Point Lobos on a foggy summer morning. My initial idea for the piece was to lean into the layers of fog before they dissolved into sunshine and I sure enjoyed the pelican traffic as I was painting this.
12″ x 9″ oil on linen panel
In painting this I was drawn to the interplay of the eucalyptus trees and the reservoir beyond.
9″ x 12″ (sold)
In this painting of quince blooms, I am in celebration of spring. I love the warm red-orange color of the blooms and their early arrival.
11″ x 14″ oil on linen panel
I tried to capture the feeling of idleness when painting this in Pillar Point Harbor near Half Moon Bay. Commercial crab season delays help safe passage of whales as the timing of migration coincides with peak winter Dungeness season. Still, it also brings hardship to those who depend on the winter catch.
8″ x 8″ oil on linen panel
Winters in the California foothills can be mistaken by turns for spring or fall. On overcast days the vibe can be moody which I endeavored to catch as I painted this at Santa Teresa Park in San Jose.
8″ x 6″ (sold)
In this view, we are taking in the mountains and a snug Swiss chalet. This piece was part of a series of winter paintings done for a “Holiday Treasures Show” at Gallery 24.
12/5/2024 – 12/30/2024
My painting “Pacific Witness” is part of an Annual Show that is up through December at the Coastal Arts League Gallery at 300 Main Street in Downtown Half Moon Bay. Gallery hours are noon to 5pm (closed Tuesdays and Wednesdays).

16″ x 20″ (sold)
Point Lobos is amongst the most beautiful places on earth. It’s full of happy memories for me and it’s those feelings I leaned into as I was painting this in my studio using photos and plein air oil sketches as references.